Augmented third
In classical music from Western culture, an augmented third () is an interval produced by widening a major third by a chromatic semitone[1][3]. For instance, the interval from C to E is a major third, four semitones wide, and both the intervals from C♭ to E, and from C to E♯ are augmented thirds, spanning five semitones. Being augmented, it is considered a dissonant interval[4].
Its inversion is the diminished sixth, and its enharmonic equivalent is the perfect fourth.
Sources
- ^ a b Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.54. ISBN 978-0-07-294262-0.
- ^ Haluska, Jan (2003). The Mathematical Theory of Tone Systems, p.xxvi. ISBN 0824747143. Classic augmented third.
- ^ Hoffmann, F.A. (1881). Music: Its Theory & Practice, p.89-90. Thurgate & Sons. Digitized Aug 16, 2007. Archaically: superfluous third.
- ^ Benward & Saker (2003), p.92.
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Numbers in brackets are the number of semitones in the interval.
Fractional semitones are approximate.
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Twelve-semitone
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Perfect
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Major
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Minor
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Augmented
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Diminished
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Compound
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Other systems |
Supermajor
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Neutral
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Subminor
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7-limit
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Other intervals |
Groups
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Measurement
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Others
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